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My main goal, though, was to carry on the tradition in a way I really studied her work. “It was just sort of the circumstances under which things evolved, there was her world and my world, and that’s kind of the way I received it. “You know, I did not, and I kind of wish I had,” he says. I asked McConnell if he spoke to Shigahara before taking the reins. Laura Shigahara composed the music for PopCap’s first PvZ games, combining catchy, lighthearted melodies with spooky theremin sounds. Zombies sound great to begin with, but adds his own distinct style. He not only manages to capture what made Sly Cooper and Plants vs. McConnell began writing music for both franchises after the musical vibe had been set.
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Zombies series (scroll down for a sample). His knack for picking up and running with established music styles is also evident in his work on the Sly Cooper and Plants vs.
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From Star Wars’ rousing marches to Full Throttle’s rockin’ soundtrack, McConnell’s versatility was crucial from the beginning. He also worked with legendary adventure-game developer Tim Schafer on projects like Full Throttle and Grim Fandango.
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He worked on popular Lucasfilm-based properties like Star Wars: TIE Fighter and Indiana Jones and the Fate of Atlantis, remixing and arranging John Williams’ iconic themes to play on PC, as well as creating his own original music in the spirit of the films. Note: I recommend visiting McConnell's Soundcloud page and listening as you readįor the uninitiated, McConnell kicked off his video game composing career at LucasArts in the early ‘90s. Zombies: Garden Warfare, composing for series with existing musical identities, and more.
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We caught up with McConnell to discuss his work on Plants vs. Not only is the ex-LucasArts alum’s wholly original work impressive, he’s an expert at diving into universes with established musical styles and infusing his own flavor. Peter McConnell is among the most seasoned video game composers in the business.